
Music Biz Headlines: May 29, 2017
What happens when we starve our artists
Musical renaissance woman Miranda Mulholland offers eloquent observations — Kate Taylor, The Globe and Mail
The glorious trickery of Perfume Genius
His fourth album, No Shape is the sound of a benevolent empath who has tired of having so much to know, and has built himself a retreat — Sasha Frere-Jones, Village Voice
Harder? Better? Faster? Stronger? Why is every trailer soundtracked by Kanye?
The first look at moody Netflix thriller Ozark is yet another preview backed by a Kanye track — Stuart Heritage, The Guardian
The important questions: What makes for the perfect karaoke song?
The off-key eager belter will always sound better in the karaoke bar than the listless pitch-perfect pro — Calum Marsh, National Post
Shakira finds liberation, one song at a time
Not long ago, the Colombian songwriter and pop star didn’t know if she would ever make another album —Jon Pareles -- New York Times
Toronto Symphony Orchestra sees success in Europe, Israel
The orchestra's seven-city, four-nation tour was, in part, a celebration of the country’s 150th birthday — William Littler, Toronto Star
Siouxsie Sioux at 60: more than a monochrome goth-pop priestess
Mysterious and misunderstood, the singer of goth pop’s sacred texts outlasted her Banshees peers, and outwitted anyone who would second-guess her. There is much to celebrate — Ben Hewitt, The Guardian
Justin Townes Earle talks Nashville, country lore and finally growing up
With a new album, the singer passes his experience down — Geoffrey Himes, Paste
Jeffery Straker admits new album Dirt Road Confessional is his most personal to date
“Sonically and lyrically, over the past two years I’ve had a lot of life experiences" — Jeff DeDekker, Regina Leader-Post
The Weeknd takes a victory lap in front of a delirious Toronto crowd
Drake shows up as surprise guest at the triumphant show — Ben Rayner, Toronto Star
A record label growing strong and free in Nunavut
Members of the Jerry Cans have started the region’s first label — Carly Lewis, The Globe and Mail