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FYI

Bentwood Rocker Revival Includes Multiple Albums And A Retrospective

It’s true of alcohol, perfume, and jalapeños. Can music also ever be too much of a good thing? The world shall discover with the advent of three (three!) new CDs (CDs!?) from Can-rock vets Bentwood Rocker, a band Klaatu fans can follow without fear of compromise.

Bentwood Rocker Revival Includes Multiple Albums And A Retrospective

By Kim Hughes

It’s true of alcohol, perfume, and jalapeños. Can music also ever be too much of a good thing? The world shall discover with the advent of three (three!) new CDs (CDs!?) from Can-rock vets Bentwood Rocker, a band Klaatu fans can follow without fear of compromise. The new triumvirate (also available digitally) complements a previously released Bentwood Rocker from-the-vaults compilation boxset. Yes, really.


The quintet from Belleville, ON — begun as a studio project-slash-covers band in 1977 before morphing into a group crafting original material — continues performing and recording 40 years hence.

Capitalizing on a dossier boasting eight albums, multiple singles, international tours and an enviable knack for obscurity, Bentwood Rocker recently and simultaneously released Take One, Take Two, and Take Three, spearheaded by the single “Coming Home” and its accompanying “living room” performance video “shot in a rehearsal space decorated with posters, photos, and memorabilia reflecting [the band’s] heritage while moving to the present and into the future.” Check it out below.

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Between them, Bentwood Rockers Dan Thompson (lead vocals, guitar), Eric Baragar (guitar, keys, songs), Mike Goettler (bass, backing vocals), Barry Haggarty (lead guitar) and Steve Smith (drummer, backup vocals) have real and tangential connections to everyone from BTO to The Band (plus legendary producer Jack Richardson), so you know this’ll sizzle more than their namesake vintage bum-rest would suggest. Stay tuned.  

 

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The Tranzac Club Main Hall
Claire Harvey

The Tranzac Club Main Hall

Touring

Facing Mounting Financial Pressure, Toronto Venue The Tranzac Isn't Going Anywhere

Ahead of a fundraiser this Saturday, April 20, Tranzac Executive Director Jason Doell discusses the challenges piling up against small and independent venues across the country, and how he's taking steps to secure the club's future.

Small and independent music venues are facing increasing financial challenges that make it difficult to stay open. One pillar of the Toronto music community is taking steps to make sure it's not going anywhere.

The Tranzac Club, operating in Toronto's Annex neighbourhood since 1971, is an essential venue for genres like bluegrass, jazz, folk, singer-songwriter and experimental music in the city.

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